[et_pb_section admin_label=\u00a0\u00bbsection\u00a0\u00bb transparent_background=\u00a0\u00bboff\u00a0\u00bb background_color=\u00a0\u00bb#eeeeee\u00a0\u00bb allow_player_pause=\u00a0\u00bboff\u00a0\u00bb inner_shadow=\u00a0\u00bboff\u00a0\u00bb parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bboff\u00a0\u00bb padding_mobile=\u00a0\u00bboff\u00a0\u00bb make_fullwidth=\u00a0\u00bboff\u00a0\u00bb use_custom_width=\u00a0\u00bboff\u00a0\u00bb width_unit=\u00a0\u00bbon\u00a0\u00bb make_equal=\u00a0\u00bboff\u00a0\u00bb use_custom_gutter=\u00a0\u00bboff\u00a0\u00bb gutter_width=\u00a0\u00bb3″][et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbTexte\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb text_font_size=\u00a0\u00bb14″ use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb]<\/p>\n
Mastering optimizes album tracks in terms of color (frequency band equilibrium), dynamic compression (relative perception of attacks and of sustained sounds) and RMS volume (energy emitted by the speakers for a given sound peak).<\/p>\n
At MyProds, we usually employ a classic method of mastering, comprised of three steps:<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbLigne\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″][et_pb_text admin_label=\u00a0\u00bbTexte\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb text_font_size=\u00a0\u00bb14″ use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb]<\/p>\n
Equalization modifies the color of your mix, in order to provide a more open sound.<\/p>\n
Compression links mixed tracks.<\/p>\n
From a group of superposed instruments, the sensation of hearing a group playing together, rather than separately, is created.<\/p>\n
We use two or three compressors in a row, each bringing its own special touch to the sound.<\/p>\n
\u201cParallel Compression\u201d is a frequently used mastering technique, consisting of mixing compressed and non-compressed sound. This technique provides a good balance between perceived punches and softer sounds.<\/p>\n
Limiting increases the perceived volume of your music by reducing peak volume and applying positive gain to the global sound. There are two numerical limiting techniques:<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″][et_pb_image admin_label=\u00a0\u00bbImage\u00a0\u00bb src=\u00a0\u00bbhttp:\/\/myprods.fr\/wp-content\/uploads\/2016\/01\/MyprodsVerticalWide1.jpg\u00a0\u00bb alt=\u00a0\u00bbMyProds Studio Vertical Wide Shot\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bbfade_in\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb align=\u00a0\u00bbleft\u00a0\u00bb force_fullwidth=\u00a0\u00bboff\u00a0\u00bb always_center_on_mobile=\u00a0\u00bbon\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb] [\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbTexte\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb text_font_size=\u00a0\u00bb14″ use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb]<\/p>\n
In mastering, it is possible to use the Stereo Processing signal (Left and Right) or the Mid\/Side processing signal (Left+Right and Right+Left). The latter, known as M\/S Processing, is very powerful for playing with the stereo width of your music or for mastering music destined for vinyls.
\nIn fact, lateral displacement of the needle on a vinyl corresponds to the \u201cLeft+Right\u201d system, and vertical sound displacement corresponds to the \u201cLeft-Right\u201d system.
\nEffective management of these two systems allows the needle to move fluidly, and thus, provides high quality sound.<\/p>\n
In the mastering chain, it can be interesting to add peripheral devices (equalizers or compressors) equipped with tubes or transformers, which enrich sound harmony and allow for a fuller sound.<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text admin_label=\u00a0\u00bbTexte\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb text_font_size=\u00a0\u00bb14″ use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb disabled=\u00a0\u00bbon\u00a0\u00bb]<\/p>\n
Mastering optimizes album tracks in terms of color (frequency band equilibrium), dynamic compression (relative perception of attacks and of sustained sounds) and RMS volume (energy emitted by the speakers for a given sound peak).<\/p>\n
At MyProds, we usually employ a classic method of mastering, comprised of three steps:<\/p>\n
Equalization modifies the color of your mix, in order to provide a more open sound.<\/p>\n
Compression links mixed tracks.<\/p>\n
From a group of superposed instruments, the sensation of hearing a group playing together, rather than separately, is created.<\/p>\n
We use two or three compressors in a row, each bringing its own special touch to the sound.<\/p>\n
\u201cParallel Compression\u201d is a frequently used mastering technique, consisting of mixing compressed and non-compressed sound. This technique provides a good balance between perceived punches and softer sounds.<\/p>\n
Limiting increases the perceived volume of your music by reducing peak volume and applying positive gain to the global sound. There are two numerical limiting techniques:<\/p>\n
-Hard Clipping: Pushing A\/D converters to the limit at the end of the mastering process naturally results in sharp-edged clipping. This technique is only useful with high quality converters (PrismSound, Lavry Gold, etc.),<\/p>\n
– Soft Clipping: In this case, a specific software or hardware clips the signal. The look-ahead function (the ability to anticipate the signal) therefore allows for a softer reaction and a good command of the gain reduction curve.<\/p>\n
In mastering, it is possible to use the Stereo Processing signal (Left and Right) or the Mid\/Side processing signal (Left+Right and Right+Left). The latter, known as M\/S Processing, is very powerful for playing with the stereo width of your music or for mastering music destined for vinyls.
\nIn fact, lateral displacement of the needle on a vinyl corresponds to the \u201cLeft+Right\u201d system, and vertical sound displacement corresponds to the \u201cLeft-Right\u201d system.
\nEffective management of these two systems allows the needle to move fluidly, and thus, provides high quality sound.<\/p>\n
In the mastering chain, it can be interesting to add peripheral devices (equalizers or compressors) equipped with lamps or transformers, which enrich sound harmony and allow for a fuller sound.<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
What is mastering ? Mastering optimizes album tracks in terms of color (frequency band equilibrium), dynamic compression (relative perception of attacks and of sustained sounds) and RMS volume (energy emitted by the speakers for a given sound peak). At MyProds, we usually employ a classic method of mastering, comprised of three steps: 1) Equalization Equalization […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":198,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-222","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/myprods.fr\/index.php\/wp-json\/wp\/v2\/pages\/222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/myprods.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/myprods.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/myprods.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/myprods.fr\/index.php\/wp-json\/wp\/v2\/comments?post=222"}],"version-history":[{"count":6,"href":"https:\/\/myprods.fr\/index.php\/wp-json\/wp\/v2\/pages\/222\/revisions"}],"predecessor-version":[{"id":524,"href":"https:\/\/myprods.fr\/index.php\/wp-json\/wp\/v2\/pages\/222\/revisions\/524"}],"up":[{"embeddable":true,"href":"https:\/\/myprods.fr\/index.php\/wp-json\/wp\/v2\/pages\/198"}],"wp:attachment":[{"href":"https:\/\/myprods.fr\/index.php\/wp-json\/wp\/v2\/media?parent=222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}